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J.S. Bach
J.S. Bach - St Matthew Passion Part II No. 39: Aria "Erbarme dich, mein Gott"
Roland Bouman
5:52 Est. Play
Time
47 Measures
1,796Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 28 0 10 8 100%
Violoncello Bass 25 0 8 3 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 28 0 10 8 100%
Violoncello Bass 25 0 8 3 100%
Violas 22 0 8 4 98%
Violins
1		 Treble 19 0 6 7 98%
Violins
2		 Treble 22 0 9 4 98%
Alto Treble 17 0 6 7 77%
 
J.S. Bach: Matthäus-Passion, BWV 244: VII. Aria: Blute nur, du liebes Herz!
Samuel Ricke
3:26 Est. Play
Time
46 Measures
1,134Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flauto
traverso
I.		 Treble 22 0 8 8 100%
Organo. Treble 22 50 8 5 87%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flauto
traverso
I.		 Treble 22 0 8 8 100%
Organo. Treble 22 50 8 5 87%
Bass 28 0 10 3 87%
Fagotto. Bass 28 0 10 3 87%
Organo
e
Continuo.		 Bass 28 0 10 3 87%
Violone. Bass 28 0 10 3 87%
Viola. 17 0 6 4 76%
Violino
I.		 Treble 21 0 6 3 76%
Violino
II.		 Treble 21 0 6 3 76%
Flauto
traverso
II.		 Treble 18 0 5 2 70%
Soprano. 16 0 6 7 61%
 
J.S. Bach: Mass in B Minor, BWV 232: III. Agnus Dei
Samuel Ricke
6:26 Est. Play
Time
49 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 22 88 10 6 100%
Bass 22 0 9 3 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 22 88 10 6 100%
Bass 22 0 9 3 100%
Continuo. Bass 22 0 9 3 100%
Violino
I.II.		 Treble 27 0 9 4 100%
Violone. Bass 22 0 9 3 100%
Alto. 18 0 6 6 69%
 
J.S. Bach: Christ lag in Todesbanden, BWV 4 - Versus II.
Samuel Ricke
3:32 Est. Play
Time
53 Measures
1,124Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 23 24 6 9 98%
Bass 28 0 9 4 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 23 24 6 9 98%
Bass 28 0 9 4 100%
Violoncello. Bass 28 0 9 3 100%
Violone. Bass 28 0 9 3 100%
Cornetto. 13 0 4 8 89%
Soprano. 13 0 4 6 89%
Alto. 14 0 5 7 83%
Trombone
I.		 14 0 5 6 83%
 
Air on the G String
Baconator NoVeg
4:48 Est. Play
Time
36 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Mellophone
1		 Treble 14 0 5 9 100%
Mellophone
2		 Treble 18 0 4 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Mellophone
1		 Treble 14 0 5 9 100%
Mellophone
2		 Treble 18 0 4 6 100%
Mellophone
3		 Treble 11 0 2 6 100%
Trombone Bass 25 0 8 3 100%
 
Mache dich, mein Herze, rein. BWV 244, no. 65. Matthäus-Passion, St. Matthew passion. Bass aria. J.S. Bach.
SDG
6:30 Est. Play
Time
81 Measures
4,759Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo
(Cello,
Contrabass)		 Bass 21 0 6 3 100%
Contrabass Bass 21 0 6 3 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo
(Cello,
Contrabass)		 Bass 21 0 6 3 100%
Contrabass Bass 21 0 6 3 100%
Oboe Treble 22 0 7 6 98%
Treble 17 0 4 6 95%
Strings
I		 Treble 22 0 7 6 98%
Violin
I,
Oboe
I		 Treble 22 0 7 6 98%
Viola 20 0 6 4 95%
Violin
II,
Oboe
II		 Treble 17 0 4 6 95%
Bass Bass 17 0 5 9 68%
 
J.S. Bach: Mass in B Minor, BWV 232: V. Crucifixus
Samuel Ricke
4:08 Est. Play
Time
53 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 20 1 7 4 100%
Bass 22 0 7 5 100%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 20 1 7 4 100%
Bass 22 0 7 5 100%
Continuo. Bass 10 0 2 2 100%
Violone. Bass 10 0 2 2 100%
Flauto
traverso
I.		 Treble 20 0 7 1 92%
Flauto
traverso
II.		 Treble 20 0 7 1 92%
Viola. 19 0 7 2 92%
Violino
I.		 Treble 20 0 7 2 92%
Violino
II.		 Treble 16 0 5 2 92%
Soprano
II.		 17 0 6 5 81%
Alto. 18 0 6 6 77%
Basso. Bass 15 0 4 4 70%
Tenore. 14 0 5 5 68%